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Building a Traditional Tune Repertoire: Billy In The Low Ground

August 2009 3,151 views One Comment

Wendy Anthonyby Wendy Anthony

The Tune:

Billy In The Low Ground, also known as (a.k.a.) Billy In The Lowground or Billy In The Lowland, is one of the better-known fiddle tunes in the Key of C, and is often played at breakneck speeds at Bluegrass jams and festivals. Adding this tune to your repertoire will create a challenging opportunity to learn to play a melody in the key of C, with lots of notes, cleanly & quickly, and/or to learn to pick out & emphasize important notes, in order to help with choosing which notes to leave out, in exchange for speed or improvisation.

Billy In The Low Ground music transcript

Listen to the MIDI: 120 | 160 | 190 bpm

Printable Sheet Music: pdf


Techniques:

  • Overview of the Tune: Billy In The Low Ground presents a chance to play around with the C scale, while picking out a melody at the same time. Part A focuses on crossing the 3 lower strings, playing up & down the C scale, and it’s relative minor – Am, using all the notes except F. Part B focuses primarily on the top 2 strings, including some F notes & chords, before finishing with an ending similar to Part A. Working on your picking technique will ensure smooth transitions between the many notes of this tune.
  • Chords: The chord structure in each part is similar, with the exception of the Am chords in Part A replaced by F chords in Part B.
    	Part A || : C | C | Am | Am | C | C | Am | G/C : ||
    	Part B || : C | C | F  | F  | C | C | Am | G/C : ||
  • Pick Strokes & Fingering: Pick all 1/2 & 1/4 notes with Downstrokes. Pick all paired 1/8 notes with Down/Upstrokes. For variety and a smoother sound (see Part A, measures 6 & 7), try using some hammer-ons & pull-offs, instead of picking each note individually. Adding syncopation can also create some interest (see Part A, measure 8, and Part B measures 11, 13, 15): instead of picking the first 1/8 note on the second beat, leave an 1/8 note rest, and then play the following 1/8 note with the usual Upstroke – you may find it easier to mime a Downstroke on the rest beat, in order to position your pick for the following Upstroke (1-Down, and-Up, 2-Rest, and-Up).


Variations:

  • Simplify: Emphasize important melody notes by leaving out some of the 1/8 notes, to assist faster playing, or to provide a basic skeleton framework in order to add improvisations.
  • Simplified Billy In The Low Ground music transcript

    Listen to the MIDI: 120 | 190 bpm

    Printable Sheet Music: pdf



Keepin’ tuned …

Wendy Anthony

o2b.pickin [at] gmail.com

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One Comment »

  • Tom Rondello said:

    Hi Wendy, just thought i’ld say thanks again. Upgraded to this netbook and got tabledit…gadang!!!! you’re ther too!
    Isn’t the sunshine wonderful?!
    Gotta go now, my collector’s still only 13 watts.

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